https://designstudioporcelainvase.com Fri, 11 Sep 2026 18:24:52 +0000 en-US hourly 1 https://wordpress.org/?v=4.1.1 https://designstudioporcelainvase.com/2026/09/large-nic-collins-studio-pottery-vase-wood-fired-shino-glaze/ https://designstudioporcelainvase.com/2026/09/large-nic-collins-studio-pottery-vase-wood-fired-shino-glaze/#comments Fri, 11 Sep 2026 18:24:52 +0000 https://designstudioporcelainvase.com/2026/09/large-nic-collins-studio-pottery-vase-wood-fired-shino-glaze/




















Nic Collins studio pottery wood fired stoneware vase. Good condition – no damage – with natural firing marks and surface variations, as seen in photos. The vase measures 30cm from base to rim, across mouth 11.5cm, circumference around base 57.5cm, circumference around neck 33.5cm.

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Stunning abstract tactile artist Letitia Yhap studio pottery large goblet. Very good condition, with a couple of firing flaws to mention under foot (see pics).

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Here is a lovely, vintage, CARN STUDIO POTTERY, CORNWALL,’RED SPOT’ Vase. It stands approx 6/ 15 cm high and is in excellent condition, with no cracks, chips or crazing. Please look at the photos for further details of condition & I always pack with care.

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Potter’s mark to base. Very good condition, a couple of little firing marks to foot to mention (see pics). 22cm height, 28.5cm diameter. See similar items in my.

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William’Bill’ Marshall a small studio pottery pot. Studio pottery egg cup. 5 cm at wide x cm tall. Impressed studio potters mark.

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Lorna Bailey “Fantasia Cottage”. Hand Made and Hand Painted and Personally Signed By The Artist. Excellent Condition No Chips No Scratches No Crazing. Height: 14.5cm Max Width: 11cm Top Diameter: 5cm Base Diameter: 9.5cm. Back Inscribed “Fantasia Cottage”. Artist’s Signature “Lorna Bailey”. Unclear Abbreviation – Possibly “HM”. Lorna Bailey pottery has become one of the most collected modern ceramicists with bold colours and deco touches. In 1995 the major patterns “House and Path” and “Sunburst” were introduced and in that same year the Lorna Bailey Collectors Club was formed confirming her immense.

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In excellent condition 9.5cm tall. Signed to base- please see photos.

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An exceptional 1990’s Venini purple murano art studio glass by Emmanuel Babled. These pieces came with stickers and rarely signed but most definitely from this artist and company. Classic spherical shapes combined with circular, lens-like cut decorations on the surface. I have been collecting for over 25 years so this is one of my personal pieces I have had for 20 years. It is handcrafted from authentic amarena or cipria pink/smoky hand-blown Murano glass. A master glass piece Slight internal marking but not obvious on first glance and impossible to photograph Size is approximately 120 x120mm Impossible to find another exactly the same.

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Vintage 1970s Cornish Brutalist Wheel Thrown Studio Pottery Blue Green Hexagon Medallion Ceramic Vase. This striking, hand-crafted studio vase is a quintessential example of the post-war Cornish Brutalist pottery movement from the late 1960s to mid-1970s. While entirely unmarked, all physical characteristics point to this being an exceptionally rare, unsigned studio piece from the inner circle of Tremaen Pottery (Newlyn, Cornwall) or a closely affiliated mid-century Cornish contemporary like Eric Leaper. Early, large-scale, or experimental art pieces from these workshops were frequently left completely unsigned on their bases, originally relying solely on temporary paper labels. Authentic Artisan Craftsmanship & Features. Unlike mass-produced factory ceramics, the interior of this tube vase features distinct horizontal throwing rings from being manually pulled up on the potter’s wheel. It has a substantial, satisfyingly heavy, and solid weight. Measures 22.5cm x 8cm. Hand-Stamped Texturing, the midsection is adorned with prominent hand-impressed geometric hexagon “eye” medallions, framed by meticulous tool-stamped decorative borders around the neck and base. Classic Cornish Palette, the vase beautifully bridges raw texture and vivid color, using a dry, volcanic manganese-brown iron oxide background contrasted against hyper-glossy, melting pools of running cobalt blue and vibrant copper-green glazes. Raw Wire-Cut Base, the unglazed buff-colored base showcases distinct concentric wire-cut marks from being sliced off the wheel head, alongside hand-sponged rim wipes and a faint workshop underglaze pencil marking. Excellent vintage condition with no cracks, or restorations. There is one small glaze chip to the base edge. The glaze remains incredibly bright and the textures sharply defined. A magnificent, highly tactile collector’s piece that perfectly captures the rugged, sculptural energy of the mid-century Cornish coast.

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