https://designstudioporcelainvase.com Wed, 19 Aug 2026 05:36:42 +0000 en-US hourly 1 https://wordpress.org/?v=4.1.1 https://designstudioporcelainvase.com/2026/08/peter-layton-british-studio-glass-mirage-vessel-2/ https://designstudioporcelainvase.com/2026/08/peter-layton-british-studio-glass-mirage-vessel-2/#comments Tue, 18 Aug 2026 05:34:47 +0000 https://designstudioporcelainvase.com/2026/08/peter-layton-british-studio-glass-mirage-vessel-2/























Peter Layton British Studio Glass Mirage Vessel. Condition Is “Used”, Two Small Impact Marks To The Upper Body, A Small Manufacturers Bubble Inclusion To The Rim And Some Light Scratches And Small Areas Of Abrasion To The Surfaces Commensurate With Age And Use.

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A wood-fired stoneware vase with decoratively cut sides, handmade by the renowned potter Micki Schloessingk at her studio in Gower, Wales, C. This vase has an abstract & organic form that seems closely related to the Earth and to nature; attributes so typical of the finest British pottery of the 20th Century. A defining feature of this piece is the wood-firing process. Heating a kiln by wood is a slow & unpredictable challenge, yet the unique beauty imparted by the flames onto each pot make it the preferred firing method for many studio potters. The organic beauty of this vase is wonderfully enhanced by the subtle colours, varied textures, distinctive pits and spots, all which are the result of this particular firing method. Year of Design: C. Colour: Brown, rust, ochre. Height: 16 cm, Diameter: 12.5 cm. Branding: Impressed mark,’M.

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Signed studio art-glass bowl by celebrated British glass artist Norman Stuart Clarke. This individually hand-blown bowl is formed from thick pale celadon-white opaline glass with a beautiful soft satin-frosted finish. The exterior is decorated with expressive painterly inclusions and flowing abstract forms in pink, cobalt blue, pale blue, orange and black. Fine dark linear trails move through the coloured decoration, giving the bowl the appearance of an abstract painting suspended within the glass. The colours continue around the full circumference, making the piece visually engaging from every angle. The interior has a softly diffused translucent appearance, allowing the external colours to remain visible through the thick glass. The bowl stands upon an applied circular glass foot. The underside retains its hand-finished pontil area and is. Engraved with the artist’s signature. Confirming it as an authentic studio work by Norman Stuart Clarke. Clarke is recognised as an important figure in the British studio-glass movement and is particularly admired for his expressive use of colour, abstract trailing and individually blown sculptural forms. A particularly attractive example of British studio glass that would work beautifully as a decorative centrepiece, collector’s object or sculptural display piece. Decorative bowl / centrepiece. Hand-engraved signature on the underside. Celadon white, pink, cobalt blue, orange and black. No obvious major chips or losses are visible. Small bubbles, variations in thickness, pontil irregularities and differences in the coloured decoration are natural characteristics of individually hand-blown studio glass and should not be considered manufacturing faults. Several fine dark lines visible within the bowl appear to form part of the incorporated abstract decoration. Buyers should nevertheless study all photographs carefully, as they form an important part of the condition description. The raised central area underneath is associated with the handmade pontil and finishing process and is not a later repair. The engraved signature on the underside is faint because of the pale frosted glass but is visible under angled lighting. This is a substantial and fragile handmade glass object.

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STUDIO PORCELAIN POTTERY BOWL. POTTERS’D W’ MARK ON BASE. Diameter : 14 cm, height: 7.5 cm. Any questions please message me.

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Peter Layton British Studio Glass Mirage Vessel. Condition Is “Used”, Two Small Impact Marks To The Upper Body, A Small Manufacturers Bubble Inclusion To The Rim And Some Light Scratches And Small Areas Of Abrasion To The Surfaces Commensurate With Age And Use.

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A stunning and unusual handmade British studio enamel vase dating to the late 1960s or early 1970s. Constructed from hand-raised copper with three abstract vitreous enamel panels. Unmarked, but very much in the style of British studio craftsmen working during the period.

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This British Studio Pottery Vase by Syl Macro is a stunning piece adorned with a blue, pink, and purple design, inspired by nature. Handmade in the United Kingdom, this ceramic vase stands at 21.5 cm tall and is signed by the artist, adding to its unique charm. The decorative features, such as the hand-painted details and artistic production style, make it a beautiful addition to any home decor. This vintage original item from the Lake District combines Scandinavian influences with a touch of British craftsmanship, making it a one-of-a-kind piece that is sure to stand out in any space.

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Peter Layton British Studio Glass Vase Signed. Condition Is “Used”, Three Small Impact Marks Within The Glass On The Top Of The Rim.

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Superb Tony Laverick Art Studio Pottery Globe Vase Pot ceramic 9cm hand painted gold classical design, British handcrafted and imprinted TL on base. Excellent original condition, no chips or damage.

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Bernard Rooke 1960s stoneware lamp. The flex and light fitting needs replacing.

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