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ANDREW DAVIDSON STUDIO POTTERY DOLOMITE GLAZE STONEWARE VASE. Dimensions: 240mm tall x 125mm wide x 92mm long. Wear commensurate with age and use. Get images that make Supersized seem small. Showcase your items with Auctiva’s. Track Page Views With.

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Handmade studio pottery vessel from Wenford Bridge Pottery, decorated and finished by Seth Cardew. A beautifully thrown and glazed piece in classic soft green tones with subtle blue banding to the rim. Features strong throwing rings and an elegant, balanced form, suitable for use as a vase, planter, or decorative studio piece. Fully marked to the base with both the Wenford Bridge stamp and SC (Seth Cardew) mark. A highly collectible example of British studio pottery. Maker: Wenford Bridge Pottery. Decorator: Seth Cardew (SC mark). Type: Studio pottery vase / planter. Technique: Hand-thrown, hand-glazed stoneware. Era: Late 20th century approx. No chips, cracks, or repairs. Clean interior and exterior. Strong, clear base marks. Minor kiln marks and natural glaze variations only, consistent with handmade studio pottery. Please see photos for full condition. A superb quality piece, ideal for collectors of Wenford Bridge and Cardew pottery, or as a striking decorative item for home display. Carefully packed and dispatched.

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WINCHCOMBE STUDIO POTTERY STONEWARE TENMOKU GLAZE VASE 20TH CENTURY. Dimensions: 180mm tall x 120mm wide x 108mm long. Makers marks: Winchcombe impressed seal mark. Wear commensurate with age and use. Auctiva offers Free Image Hosting and Editing. Auctiva gets you noticed! Track Page Views With.

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VINTAGE TONY LAVERICK STUDIO POTTERY SMALL VASE. Has some glossy crackle glaze. With ASL marked on the bottom. Approximately 9cm wide by 6cm tall. The vintage Tony Laverick Studio Pottery small pot vase in green ceramic is a beautiful and original piece of art pottery. Handmade with an impressed backstamp, this vase exudes a unique studio theme with a matte finish. Its compact dimensions of 65mm height and 85mm width make it a versatile decorative addition to any space, showcasing the craftsmanship and style of the artist behind its creation. Tony Laverick was born in Sunderland in 1961. He trained in Studio ceramics at Preston Polytechnic from 1981-84 and gained a Distinction from the Society of Designer Craftsmen. Tony worked in the ceramic industry in Stoke-on-Trent. Including Coalport China from 1986-88 as a designer. He decided to set up his own studio near Leek in the Staffordshire Moorlands in 1988. And has worked there as a full-time professional ceramic artist since then. Tony sells his work in the UK, Europe and the USA. He was made a Fellow Member of the Craft Potter’s Association and in 2015, and was selected to be a member of Contemporary Applied Arts. Tony Laverick Artist Statement. I have been a professional ceramic artist for more than 25 years. And set up my studio in the Staffordshire Moorlands in 1988 after I had studied ceramics and worked in the ceramic industry in Stoke on Trent. Part of that time I was a designer for Coalport China (then part of the Wedgwood Group). This background gives me a broad appreciation of ceramics and techniques. I also have influences from outside the ceramic world. Kandinsky, Malevich, Mondrian, Nicholson, Brancusi, Rodchenko and the designs of Frank Lloyd Wright are just some. Which is a juxtaposition of controlled, linear designs with areas of loose, painterly decoration. I use the surface of the pot as a painter uses a canvas. Controlled, linear designs are juxtaposed with looser, more painterly areas. But I find that to use the medium of ceramics makes the “paintings” I create much more accessible. To stand in front of a painting and admire it is one thing. But, I feel that to be able to hold a piece of art in your hands, feel the surface and the weight of it adds another dimension to the experience. It provides a connection with the artist whose hands will have created and also held that piece. There is a combination of human judgement and technique that I still find exciting and rewarding. I have always been willing to take risks with my work and it is this quality that, in my opinion, distinguishes the artist from the craftsman.

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Signed crystalline glaze lidded jar by Willy Van Busel, an accomplished Belgian studio potter known for his vibrant crystalline glazes. This finely potted jar features a striking blue, green, and cream crystalline glaze, with well-developed crystal formations across both the body, lid and interior. The surface has excellent depth and movement, characteristic of controlled high-temperature crystalline firing. The jar is signed to the base. A strong example of European studio pottery, ideal for collectors of crystalline glaze ceramics or contemporary art pottery. Details. Maker: Willy Van Busel. Origin: Belgium. Type: Studio pottery lidded jar. Glaze: Crystalline glaze. Material: Glazed ceramic. Signature: Signed to base. Height: 6 cm. Width (diameter): 12 cm? Condition Excellent condition with no chips, cracks, or repairs noted. Light surface variations consistent with the firing process and handmade nature. Please review all photographs carefully as they form part of the description.

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Handmade studio pottery vase in a Japanese / mingei influenced style. Wheel-thrown stoneware with rich iron-red clay body and flowing ash-like glaze effects to the upper section. The vase has a beautiful organic wabi-sabi aesthetic with natural firing variation and textured surface. Signed to the base with an impressed kanji-style mark. Likely late 20th century studio pottery. Possibly Japanese or Japanese-inspired. Dimensions. Height: 20 cm. Diameter: 7.5 cm. Weight: 759 g Condition: Very good vintage condition with no cracks or repairs observed. Minor firing irregularities and kiln effects are part of the original handmade process. A striking decorative piece for collectors of. Studio ceramics. Japanese pottery. Mingei / wabi-sabi interiors. Wood-fired stoneware Please see all photographs as they form part of the description.

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A beautifully expressive piece of studio art pottery, this signed Corbett vase features a richly layered, landscape-style glaze in soft blues, creams, purples, and earthy greens. The flowing, organic patterning creates a painterly effect, giving the piece a one-of-a-kind presence from every angle. Hand-thrown with a gently tapered form, this vase reflects the character and individuality typical of late 20th-century American studio ceramics. Signed “Corbett” on the base, it offers both artistic appeal and collectible interest. Ideal as a standalone decorative statement or as part of a curated art pottery collection. Condition: Very good vintage condition with light wear consistent with age; no major chips or cracks observed. Era: Late 20th century.

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Katherine Pleydell-Bouverie small dark olive ash glaze octagonal stoneware faceted vase. The depth of colour is superb. Produced by a revered potter whose work is highly collectible. Impressed KPB mark as photographed. The glaze note in ink on the base I believe is XO. Undamaged and free from any chips, cracks or repairs. 4.5 cm tall and approximately 5 cm facet to facet across the’rim’. Weight 64 grams I will identify that the vase itself is darker in colour than it appears in the photographs probably caused by the light. Thank you for looking at my items.

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ANDREW DAVIDSON STUDIO POTTERY DOLOMITE GLAZE STONEWARE VASE. Dimensions: 240mm tall x 125mm wide x 92mm long. Wear commensurate with age and use. Get images that make Supersized seem small. Showcase your items with Auctiva’s. Track Page Views With.

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Large studio European textural glaze effect sculptural vase. Circa mid century modern. Very good condition (see pics) tiny spot of glaze loss to base to mention.

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