https://designstudioporcelainvase.com Sun, 19 Apr 2026 05:21:40 +0000 en-US hourly 1 https://wordpress.org/?v=4.1.1 https://designstudioporcelainvase.com/2025/11/phil-rogers-green-ash-salt-glazed-with-incised-decoration-jug-studio-pottery/ https://designstudioporcelainvase.com/2025/11/phil-rogers-green-ash-salt-glazed-with-incised-decoration-jug-studio-pottery/#comments Sun, 30 Nov 2025 13:26:58 +0000 https://designstudioporcelainvase.com/2025/11/phil-rogers-green-ash-salt-glazed-with-incised-decoration-jug-studio-pottery/







PHIL ROGERS GREEN ASH TOP SALT GLAZED WITH INCISED DECORATION JUG STUDIO POTTERY. Height -24.5 cm. In excellent condition- no chips or restoration.

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A large ash glaze stoneware lidded storage jar / vase with incised fluting as decoration. The storage jar measures 34cm in height and approximately 22cm in diameter at its widest point. The vase is in good condition and is free from any chips, cracks or repairs. It bears the clear impressed Mark for Phil Rogers as photographed. The vase weighs almost 4 kg.

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Phil Rogers Yunomi (Japanese Tea bowl) incised circular decoration and salt glaze with feldspar #2468. 9.5cm in height and approximately 9cm in midriff diameter. This item is undamaged, free from any chips, cracks or repair. It bears Phil Rogers impressed personal mark on outside of the foot ring. Thank you for looking at my items which will be updated regularly.

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For sale is a Phil Rogers Wood Fired handled vase, with an ash glaze. This is great example of Phil’s wood fired pottery, with the clay body showing the marks of the firing and the dribbling ash glaze. It’s a really good usable size. The pot is in perfect condition with not damage. Dimensions – High – 19.5 cm Please check out my other pots for sale.

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Please be aware this is a Guinomi and not a YUNOMI. A YUNOMI is a Japanese tea bowl however a Guinomi is a sake bowl. For obvious reasons it is smaller than the tea bowl and would be the equivalent of a’shot glass’ to put it into a modern context. It measures 4.5 cm in height and 4.5 cm rim diameter. It has a ribbed grey decoration and is in good condition with no chips, cracks or repairs. Clear impressed mark for Phil Rogers. Given this items size it is also possible that it could be used as an egg cup.

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A very fine studio pottery press-moulded bottle vase by leading British potter Phil Rogers. Quartered nuka and tenmoku glazes over a very high iron slip with wax resist decoration, with additional nuka glaze to the top and neck. Potter’s mark to the underside. Excellent condition, as new. Dimensions (approximate): 22cm x 10cm x 10cm. Phil started to make these press-moulded bottles at a time when he was starting to suffer from back problems, as they gave him a break from being constantly at the wheel. I bought this particular example from Phil pretty much hot out of the kiln in 2012. It was briefly discussed by him in his Goldmark lecture to launch his “Portfolio” book a few weeks later. Listed somewhat relucantly, not cheaply, as first-class examples of Phil’s press-moulded work don’t come up for sale particularly often, but at a bit less than it would have cost retail prior to Phil’s passing.

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Ray Rogers raku orb form sculpture, pit fired with metallic oxide and sawdust colourings, incised signature to the base…. Measuring 7″ high 5.5″ diameter. Ray Rogers was born near Dunedin, Otago, New Zealand, in 1935. He worked in the petro-chemical industry but after discovering his affinity with the clay medium in 1969 he devoted himself to pottery and was initially self-taught. Initially he was an adherent to the Leach/Hamada tradition and held his first one man show in Auckland in 1974. He was an exhibiting member of the New Zealand Society of Potters, the Auckland Studio Potters, and is an Artist Member of the Academy of Fine Arts. Rogers is especially noted for his exploitation of a pit firing technique. He studied this technique in California in 1980 and introduced it to New Zealand in 1981 and also to Australia, where he came to live after winning the Fletcher Brownbuilt International Award in 1983. His work is fired in a relatively primitive method, using a large pit dug into the ground. Wood and pots are layered within the pit, and then fired. Rogers continues to explore pit firing as the method sympathetic to the hand built forms he creates. Each piece is considered in order to maintain harmony with the vagaries of the fire where contrasts are achieved on the pots by the flame and heat of the fire. He remarked of his works in the catalogue of’Evolution of style: the decorative spirit in Australian contemporary crafts’ at the Craft Centre Gallery, Sydney, in 1985. Character is developed by the Resolution of each piece being kept in harmony with the Vagaries of the fire. One can observe the individuality, not only in the forms but also in the way hues and tones move across each surface. Sometimes the colours are subtle allowing the forms to speak for themselves. Black fungoid areas contrast with softer movements often referred to as Intergalactic. I endeavour to achieve contrasts that offer a challenge for the observer. There is new work in the exhibition showing a gradual change of direction. I like to move slowly as inspiration allows and believe that ones best work is achieved in this way. During the early 1990s he began to experiment by introducing other organic materials and metallic salts such as silver chloride and bismuth nitrate to his firings. Metallic salts especially provided a lustrous surface and were fired up to five times to provide the depth of the desired effect. Pit firing is a technique which began to attract many adherents over the succeeding years because of the striking colour variations that the firing can impart. Like Ray Roger’s work, the forms chosen are generally simple spherical forms to enhance the decorative, random effect of the flames. The high point of his career was probably in 1997 when he demonstrated his firing techniques at the 1997 International Ceramics Festivalat Aberystwyth in Wales. Rogers was a member of the Potters Society of Australia for many years but resigned in 2003 as he had ceased his involvement with ceramics.

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A very fine studio pottery press-moulded bottle vase by leading British potter Phil Rogers. Quartered nuka and tenmoku glazes over a very high iron slip with wax resist decoration, with additional nuka glaze to the top and neck. Potter’s mark to the underside. Excellent condition, as new. Dimensions (approximate): 22cm x 10cm x 10cm. Phil started to make these press-moulded bottles at a time when he was starting to suffer from back problems, as they gave him a break from being constantly at the wheel. I bought this particular example from Phil pretty much hot out of the kiln in 2012. It was briefly discussed by him in his Goldmark lecture to launch his “Portfolio” book a few weeks later. Listed somewhat relucantly, not cheaply, as first-class examples of Phil’s press-moulded work don’t come up for sale particularly often, but at a bit less than it would have cost retail prior to Phil’s passing.

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Studio Pottery bottle Vase – Impressed Mark – Schloessingk / Rogers / Leach Era. Condition is Good – see photos. Size approx 5.5 inches high.

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Stoneware bowl covered internally with green ash glaze and wood fired salt glaze externally with impressed leaf decoration by Phil Rogers. 13.5 cm diameter. 8.5 cm in height. The bowl is free from damage and has no chips, cracks, repairs or renovation. Very clear, impressed mark for Phil Rogers on the foot ring as shown in photograph.

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