https://designstudioporcelainvase.com Tue, 21 Apr 2026 05:25:44 +0000 en-US hourly 1 https://wordpress.org/?v=4.1.1 https://designstudioporcelainvase.com/2026/03/oxshott-collection-bird-seal-mark-studio-pottery-tenmoku-bowl-20th-century/ https://designstudioporcelainvase.com/2026/03/oxshott-collection-bird-seal-mark-studio-pottery-tenmoku-bowl-20th-century/#comments Sat, 14 Mar 2026 04:08:49 +0000 https://designstudioporcelainvase.com/2026/03/oxshott-collection-bird-seal-mark-studio-pottery-tenmoku-bowl-20th-century/







OXSHOTT COLLECTION BIRD SEAL MARK STUDIO POTTERY TENMOKU BOWL 20TH CENTURY. Materials: Pottery / Stoneware. Wear commensurate with age and use. Notes: This bowl was part of the Denise & Rosemary Wren Oxshott collection. Get images that make Supersized seem small. Showcase your items with Auctiva’s. Track Page Views With.

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Vintage David Leach Pottery Jug With Personal DL Seal 15cm high Very good condition, no visible cracks, chips or damage.

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PETER WILLS Studio Bowl? Ollectible Vintage. Mint Condition- No cracks or chips. Potter’s seal mark & signature to base. An orange-colored porcelain vase with brown mother-of-pearl and glaze. Signed by the artist Peter Wills. The work of Peter Wills, a professional potter since 1989, has evolved over the years in the context of attention to detail, balanced form/decoration, and passion – all of which he believes are crucial. Bernard Leach’s “Book of the Potter” and the whole spirit underlying this work had one of his strongest influences. We were also inspired by Chinese pots from the Song and Tang dynasties, as well as the works of major European potters of the 20th century, such as Lucy Rea, Hans Koper and Michael Cardew. The potter artist and one of the first members of the CPA, Derek Davis, as well as teacher Sue Nichols, had a deep and lasting influence on his work. His work has been widely exhibited in the UK, as well as in Italy, Brussels, Spain, the Netherlands, Japan, the UAE, Germany and the USA. The commission included representatives from his local council and the Princess of Wales Hospital in Bridgend! In the spring of 1998, he received his most prestigious order to date, when His Majesty’s government asked him to make bowls for gifts to nineteen heads of European states who were visiting the Cardiff summit! His pots have traveled all over the world and can be found in public and private collections in the UK and around the world. In his small workshop, Peter used to work with white clay, which he mixed according to his own recipes, but lately he has been working with English porcelain Valentine Clays. Its current production is almost complete- therefore, the cost of his products is increasing in price!

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PETER WILLS Studio Bowl Vintage? Ollectible. Mint condition – No cracks or chips. Potter’s seal mark & signature to base. Porcelain vase with pale olive and manganese glaze, and light green glaze. Signed by the artist Peter Wills. The work of Peter Wills, a professional potter since 1989, has evolved over the years in the context of attention to detail, balanced form/decoration, and passion – all of which he believes are crucial. Bernard Leach’s “Book of the Potter” and the whole spirit underlying this work had one of his strongest influences. We were also inspired by Chinese pots from the Song and Tang dynasties, as well as the works of major European potters of the 20th century, such as Lucy Rea, Hans Koper and Michael Cardew. The potter artist and one of the first members of the CPA, Derek Davis, as well as teacher Sue Nichols, had a deep and lasting influence on his work. His work has been widely exhibited in the UK, as well as in Italy, Brussels, Spain, the Netherlands, Japan, the UAE, Germany and the USA. The commission included representatives from his local council and the Princess of Wales Hospital in Bridgend! In the spring of 1998, he received his most prestigious order to date, when His Majesty’s government asked him to make bowls for gifts to nineteen heads of European states who were visiting the Cardiff summit! His pots have traveled all over the world and can be found in public and private collections in the UK and around the world. In his small workshop, Peter used to work with white clay, which he mixed according to his own recipes, but lately he has been working with English porcelain Valentine Clays. Its current production is almost complete- therefore, the cost of his products is increasing in price!

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Vintage PETER WILLS Studio Bowl? Ollectible Mint Condition. Mint condition – No cracks or chips. Potter’s seal mark & signature to base. Porcelain thrown bowl with a pale pink and manganese glaze, wood ash & blue glazed. Signed by the artist, Peter Wills. There is craquelure on the lacquer layer of porcelain, a microscopic spider web of cracks, because the potter was able to repeat the ancient Chinese technology of the Sung and Tang dynasties. The work of Peter Wills, a professional potter since 1989, has been evolving over the years within the context of attention to detail, balanced form/decoration, and passion – all of which he believes are crucial. Of his numerous influences, Bernard Leach’s “A Potter’s Book”, and the whole ethos behind that work, was one of the first and strongest. Sung and Tang Dynasty Chinese pots have also been an inspiration, along with major 20th-century European potters such as Lucie Rie, Hans Coper and Michael Cardew. Profound and lasting early influences came from the artist-potter and early CPA member Derek Davis; and also tutor Sue Nichols. Widely exhibited in Britain, his work has also been shown in Italy, Brussels, Spain, the Netherlands, Japan, the UAE, Germany, and the USA. Commissions undertaken have included those from his local Council and The Princess of Wales Hospital, Bridgend! In the spring of 1998 he gained his most prestigious commission to date when asked by HM Government to make bowls for them to present as gifts to the nineteen visiting European Heads of State attending a Summit in Cardiff! His pots have travelled far and wide and can be found in public and private collections in Britain and around the world. In his small studio, Peter formerly worked with fine white clays that he blended to his own recipes; however, more recent work has been undertaken with a blend of English porcelain from Valentine Clays. His current production is almost exclusively one-off bowls and vases. Most work is thrown on a potter’s wheel, raw-glazed when bone dry and once fired to 1280°C. The lure of new glazes he finds irresistible and he is constantly experimenting with and developing new glaze recipes. He is a member of South Wales Potters, and a Professional member of The Craft Potters Association of Great Britain. Inspiration for me comes from simple things; pots from ancient China to modern Europe; the looseness, freedom and life of Bizen wares, the wonderful colours, textures and forms of Lucie Rie’s work; the inverted profile of a hat, a blackbird singing outside my bedroom window. I aim for balanced form, attention to detail and life; I would love the ability to produce pots of a calibre that would make people catch their breath – however for now, if I can occasionally stir the heart, I’ll be content.

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SVEND BAYER STUDIO POTTERY MAZE SEAL STONEWARE FLAGON 20TH CENTURY. Dimensions: 218mm tall x 160mm wide. Svend Bayer impressed’maze’ seal mark. Wear commensurate with age and use. Get images that make Supersized seem small. Showcase your items with Auctiva’s. Track Page Views With.

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Large studio pottery lugged vase, makers seal mark to side of base. Lovely tenmuko under glaze. Stunning tones and detailing. Very good condition (see pics). See similar items in my.

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Stunning Vintage Signed Studio Pottery Bowl. Can anyone help identify the maker?

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David Leach OBE (1911 – 2005). A studio pottery minature vase. Any questions please message me.

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Studio Pottery Porcelain or white clay – Teapot Leach Era / Influence – Potters Seal. Condition is Good – see photos. 7 inches tall x 7 inches wide (approx). Holds around 4 cups of tea – me thinks. Signed impressed mark – see photos.

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