ANDREW DAVIDSON STUDIO POTTERY DOLOMITE GLAZE STONEWARE VASE. Dimensions: 240mm tall x 125mm wide x 92mm long. Wear commensurate with age and use. Get images that make Supersized seem small. Showcase your items with Auctiva’s. Track Page Views With.
Bernard Rooke 1960s stoneware lamp. The flex and light fitting needs replacing.
A striking large stoneware vase by potter and artist Bernard Irwin b. Decorated with textured panels in muted earthy tones in blues, green and brown. Measures:39cm H x 13cm (base) x 10xcm (top). Condition: There is a small flake about halfway down on the edge (please see in photos). Otherwise in really excellent condition. I […]
EDWARD CAMPDEN LARGE STUDIO POTTERY STONEWARE VASE 1994. Dimensions: 365mm tall x 96mm wide. Makers marks: Incised’ECampden 94′ mark. Wear commensurate with age and use. Get images that make Supersized seem small. Showcase your items with Auctiva’s. Track Page Views With.
This stoneware raku glazed studio pottery vase is a handmade decorative piece from the United Kingdom. It is signed by the artist and features a unique raku glaze finish, giving it an artistic and studio pottery vibe. The vase is designed for decorative purposes only and comes packaged in a box, making it a perfect […]
Potter’s mark to base. Very good condition, a couple of little firing marks to foot to mention (see pics). 22cm height, 28.5cm diameter. See similar items in my.
ROGER COCKRAM? STUDIO POTTERY STONEWARE CASSEROLE DISH / TUREEN. Materials: Pottery / Stoneware. 220mm tall x 235mm long. Roger Cockram’Tree’ impressed seal mark. Wear commensurate with age and use. Get Supersized Images & Free Image Hosting. Create your brand with Auctiva’s. Attention Sellers – Get Templates Image Hosting, Scheduling at Auctiva. Track Page Views With.
Aki Moriuchi Studio Pottery Yunomi Wood Fired Stoneware Nuka and Tenmoku A superb wood fired yunomi by the highly sought after potter, Aki Moriuchi, featuring a fabulous nuka glaze complimented by tenmoku brushwork. Impressed stamp to base. 10cms high Excellent condition.
Thrown on the wheel and finished with a wire-cut base, this piece retains a small central throwing scar, a deliberate mark of hand production typical of early French studio pottery. The base is smooth and unground, with an impressed stylised’B’ mark beneath the glaze. The form is tall and confident, with sinuous pulled loop handles […]