Studio Pottery Vase

Ken Matsuzaki Studio Pottery Shoji Hamada, Mashiko, Shimaoka Interest

Ken Matsuzaki Studio Pottery Shoji Hamada, Mashiko, Shimaoka Interest
Ken Matsuzaki Studio Pottery Shoji Hamada, Mashiko, Shimaoka Interest
Ken Matsuzaki Studio Pottery Shoji Hamada, Mashiko, Shimaoka Interest
Ken Matsuzaki Studio Pottery Shoji Hamada, Mashiko, Shimaoka Interest
Ken Matsuzaki Studio Pottery Shoji Hamada, Mashiko, Shimaoka Interest
Ken Matsuzaki Studio Pottery Shoji Hamada, Mashiko, Shimaoka Interest
Ken Matsuzaki Studio Pottery Shoji Hamada, Mashiko, Shimaoka Interest
Ken Matsuzaki Studio Pottery Shoji Hamada, Mashiko, Shimaoka Interest
Ken Matsuzaki Studio Pottery Shoji Hamada, Mashiko, Shimaoka Interest
Ken Matsuzaki Studio Pottery Shoji Hamada, Mashiko, Shimaoka Interest
Ken Matsuzaki Studio Pottery Shoji Hamada, Mashiko, Shimaoka Interest
Ken Matsuzaki Studio Pottery Shoji Hamada, Mashiko, Shimaoka Interest

Ken Matsuzaki Studio Pottery Shoji Hamada, Mashiko, Shimaoka Interest
Ken Matsuzaki Studio Pottery Shoji Hamada, Mashiko, Shimaoka Interest, including wooden box, cloth and papers. The piece measures approximately 25cm in height and 12cm width. Born in 1950 in Tokyo. Matsuzaki’s life was filled with art and culture and his family’s influence began to show when, around the age of 16, Matsuzaki developed an interest in ceramics. Ken trained under living national treasure Shimaoka Tatsuzo, you can see the influence in this piece of his master, possibly using the same mould. He used this crane motif and gilt decoration early on, as he developed his own style. Thank you for looking, please see our other items. Come follow our Instagram page 20th Century ARTophiles. This item is in the category “Pottery, Ceramics & Glass\Decorative Pottery, Ceramics & Glass\Vases”. The seller is “20thcenturyartophiles” and is located in this country: GB.
  • Brand: Studio
  • Type: Vase
  • Style: Shoji
  • Production Technique: Pottery

Ken Matsuzaki Studio Pottery Shoji Hamada, Mashiko, Shimaoka Interest

, , , , , , ,

Comments are currently closed.